Jérémie Boyard likes to intertwine fictional narratives with real ones, to highlight the multiple layers of an image whilst using concrete elements of our society and cultures. He observes and plays with a globalised language and a manufactured heritage. By manipulating and hybridising objects, he shapes a sphere of illusion and playful confusion. By inverting certain symbols, images, and objects,
he invokes, through these choices, other ways of experiencing aesthetics, much like the believers of the Obeah. He tries to draw attention to the unspoken, the unseen, the subversive, the inner beauty.